Feed first appears still, almost like an abstract painting, but suddenly begins to move. In this metaphor for crowd behavior in the face of reward,
pieces of food are thrown into water and small fish dart into the frame from all sides. As the frequency of food increases, fish swim faster and
concentric ripples in the water grow more intense. While the image builds, so does the volume of the soundtrack, constructed from multiple
recordings of a weather radio that overloads into white noise.

Feed, 2004, (3 min. 24 sec.), dvd video / sound, dim. variable